9/25/2023 0 Comments Slog lut download![]() 1STOP would be used when the SLog2 was exposed 1STOP over and in this case the LUT then shifts the exposure back down 1 stop to compensate.ħ09 = Vanilla Rec-709, very contrasty, but limited highlight response and hard clip of over exposure.ħ09(800) = Rec-709 gamma with 800% (high) dynamic range. The exposure offset refers to the number of stops the footage is over exposed by relative to the normal SLog2 exposure level of Middle Grey at 32% and 90% white at 59%. But in the mean time here are the LUT’s if anyone want’s to play (and I would like feedback on what you think of them).ħ09(800) = Output gamma or style. I am in the process of creating the complete workflow and SLog-2 guide for the A7s which I should be publishing later next week which will have much more information on how to use these LUT’s. One is Rec-709 based LUT’s and the other Filmic LUT’s to act as starting points for further grading. So I created a set of LUT’s that includes compensation for shooting at the nominal correct exposure as well as either 1 or 2 stops over exposed. In addition as the camera is only 8 bit I have found that I am actually getting the best results from the Slog-2 if I over expose it just a little bit, depending of course on the scene. I realised almost straight away that a set of LUT’s for this camera would really help speed up my grading and testing. Thanks for taking the time to read this and I look forward to 18 more years.I’ve been doing a lot of work on shooting SLog-2 with the A7s. We have a no questions asked 30-day money-back guarantee.įrom every member of the ON1 family, I extend our greatest appreciation for your tremendous support and loyalty over the last 18 years. If our software ever fails to meet your expectations, please don't hesitate to contact our team. Save on your favorite ON1 apps, get the new ON1 Photo Keyword AI standalone app, or enjoy discounts on ON1 Photo Kits and creative extras. Thank you for that!Īs we proudly celebrate our 18-year anniversary, we're slashing prices across the board to thank everyone who supports ON1. I constantly hear from customers about how much they value our apps and ways we can improve our products and services. We rely heavily on customer support and feedback to build the best, highest-value software for photographers, and we will continue to do so for many years to come. We are still the same hardworking, privately held, US-based company we were 18 years ago. ![]() ON1 has come a long way and stands as a model of our unwavering commitment to providing you with a world-class photo editing experience at an extremely great value. That is what photography is and always will be at ON1. Photography is here for you to tell your stories, preserve memories, unwind, forge new connections, rekindle old friendships, and unlock a world of limitless possibilities, not creating fake images. Our AI strategy will always put the photographer first and I want to make that clear. These new AI-based technologies are for helping you save time and give you superior results, not to replace YOU, the photographer. We are using AI to solve real-world problems photographers face today in their post-production workflows. As exciting as AI is, it also brings a lot of unknowns to the photography space. Most recently, our noise reduction, upscaling, sharpening, organizing, and masking breakthroughs are the beginning of a new chapter for ON1. It is so satisfying to look back at the remarkable progress and innovation the ON1 team has built into our software over the years. From cameras to software, everything has seen change. ![]() The photo industry has seen some big changes over the last 18 years. In June of 2005, we embarked on the ON1 journey with a vision of providing photographers like yourself more time behind the camera and less time editing the photos you cherish. It brings me great joy to express my gratitude for your continued support of the ON1 photography community over the last 18 years. Hello everyone, Craig Keudell, CEO of ON1 here.
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